Novels
I have been working on two novels concurrently. The first, Everyone Comes from Belterra: When America Owned the Amazon, is set in Belterra, a Ford town built in Brazil in the late 1920s to supply the company and America with rubber in the event of global war. This novel will be published by Pear Tree Press in August/September 2008.
Moonlight in Obz: Nigerians in Space, my second novel, is a hard-boiled fable about the grit and wonder of South Africa, Nigeria, and beyond.
Both works benefited from travel and supervision. Everyone Comes from Belterra began at Stanford under Katharine Noel after I lived and worked in Brazil, and Moonlight in Obz is the product of my MA in Creative Writing at the University of Cape Town, South Africa.
It’s difficult to share from works that are slated to be published, but I have received permission to reprint the following excerpt from my first novel.
Indian Hunting on the Putumayo originates from my background research for the novel, when I encountered the horrific human rights violations committed on the Putumayo river in the early 1900s. The Putumayo, it turned out, was not always a joyful multicolored tableau of dancing parrots, as the world music label suggests. This Peruvian river coursed through the site of a 20th century genocide.
Tens of thousands of indigenous Huitoto Indians were slaughtered at the hands of the Peruvian Amazon Rubber Company in its quest for black gold. Managed at the city of Iquitos by Julio Arana, many of the company’s key investors were English. The atrocities were eventually brought to light by the Irishmen Roger Casement, who had unearthed the genocide of the Congolese during the Belgian hunt for rubber in the Congo. None of the English shareholders were brought to justice. Worse, Julio Arana lived until his 90s and continued exploiting the Huitotos after Casement’s report.
This story emerged from utter rage. It made me furious that Arana - and his family, who defended and celebrated him until his death - escaped retribution. The story of Arana epitomizes the notion of actions without consequences, and impunity disgusts me. My hope is that this story, drawn from a much lighter and even humorous work, will help keep the memory of these horrors alive, and make them, somehow, feel real.
Click here for the full story.
This story is reprinted here from the The London Magazine, in which it appeared in September of 2006.
Leave a Reply
You must be logged in to post a comment.